Situated on a steep hill, Mehrangarh Fort is one of the largest forts in India. The fort has been a witness to the splendour of a bygone era. The beauty and the grandeur of numerous palaces in the fort narrates a saga of hard sandstones yielding to the chisels of skilled Jodhpuri sculptures. To enter the Mehrangarh fort, seven gates have to be crossed. Some of these gates still bear marks of many a siege that this fort has withstood. Its very hard to imagine how any invader even thought of conquering this fort, which at places has 17 feet thick and 68 feet high walls. The Mehrangarh Fort encloses many palaces, which are known for their intricate carvings and sprawling courtyards. Moti Mahal or the Pearl Palace has a delicately carved stone screen and treasures the Sringar Chowki, royal throne of Jodhpur. A meandering road leads to the from the city 5 kms below. Battle scars of canon ball hit by attacking armies of Jaipur can still be seen on the second gate. There are seven gates, which include Jayapol meaning victory built by Maharaja Man Singh to commemorate his victories over Jaipur and Bikaner armies. Fattehpol also meaning victory gate was built by Maharaja Ajit Singh to mark the defeat of Mughals. And Lohapol meaning iron gate has a moving memorabilia on palm print of the queens of Maharaja Man Singh who threw themselves on his funeral pyre in an act of sati [self-immolation]. The palm imprints still attract devotional attention and are covered by vermilion paste and paper-thin silver foil. Sheesh Mahal
It is a fine example of a typical Rajput Sheesh Mahal. The mirror-work includes large, regular pieces, rather than an intricate mosaic of tiny fragments; another thing is the superimposition over the mirror-work of brightly painted religious figures made in plaster.] Takhat Vilas
Built and lived in by Maharaja Takhat Singh (1843-1873), Jodhpur's last ruler to reside in the Mehrangarh Fort, Takhat Vilas is an interesting blend of styles, most traditional, but some, like the glass balls on the ceiling, testifying to the modern age which arrived with the British Moti Mahal
Built by Raja Sur Singh (1595-1619) the Moti Mahal is the largest of the Mehrangarh Museum's period rooms. Sur Singh's Moti Mahal has five alcoves leading onto hidden balconies; it is believed they were built for his five queens to listen in on court proceeding. Phool Mahal
The grandest of Mehrangarh's period rooms, the Phool Mahal was in all likely hood a private and exclusive chamber of pleasure dancing girls once swooned in exhaustion here under a ceiling rich in gold filigree. The Phool Mahal was created by Maharaja Abhaya Singh (1724-1749) and the gold came from Ahmedabad in Gujarat as war booty after his famous victory over the rebellious Mughal governor, Sarbuland Khan. The paintings, royal portraits and the ever-popular raga mala, came much later, in the reign of Jaswant Singh II. Jhanki Mahal
The Jhanki Mahal, from where the royal ladies watched the official proceedings, in the courtyard, today houses a rich collection of the royal cradles. The cradles are decorated with gilt mirrors and figures of fairies, elephant and birds |
